Yvonne at Fire and Earth Studio, photo by Thomas Kitts
Let me start by saying there was no fluff in Thomas Jefferson Kitts workshop. Painting alla prima, we completed five studies in three days. Kitts challenged us to detect the subtleties of value, hue and chroma. He introduced several of the students to “notan”, a concept of value-massing, and gave us a lesson on the Gamblin color system, a variation on Munsell's system.
We painted still lifes from sumptuous arrangements of fresh fruit and flowers. The play of light and shadow through the arrangements gave us opportunities to apply what we learned about value-massing. On the last day, Kitts did a demo painting, then we painted from a model, separating values and color temperature on pale skin.
Kitts, a Portland Oregon artist, ocassionally consults with Gamblin Artist's Oil Colors . Each student got a goodie bag of Gambin products, including an informative DVD on color mixing theory. Following the workshop, I spent a morning reading Gamblin's website--well worth the time. After I photograph my workshop paintings, I'll give more detail about what we covered in class.
One tip: I usually wear smooth-soled SAS shoes. But by the end of the first day, my feet were tired and freezing (this is February in Portland on a concrete floor.) For the rest of the workshop I wore wool sox and hiking shoes with heavy tread. The big spaces in the tread seem to keep shoes from absorbing cold from the floor, while the wool sox provided cushion, warmth, and kept my feet drier. Warm feet at winter workshops are happy feet.
If you are looking for a painting workshop in Portland, Oregon, I heartily recommend Kitts. Plan on working hard, learning a lot, and taking breaks and lunch on the fly--and finishing invigorated. See his paintings and find his workshops at www.thomaskitts.comComment on or Share this Article →